Chapter One — 1.1 Background to the Study

Wole Soyinka's The Raft occupies a significant place in the Nigerian literary canon, and continues to attract critical attention for the richness of its language and thematic concerns.

Existing criticism of The Raft tends to focus on its broader thematic concerns, with characterization as a stylistic device in service of political power and corruption receiving comparatively less sustained attention.

1.2 Statement of the Problem

While Wole Soyinka's The Raft is widely studied, there is no settled critical consensus on how its characterization functions specifically in relation to political power and corruption. This study undertakes a close textual analysis to address that gap.

1.3 Objectives of the Study

1. To examine the use of characterization in Wole Soyinka's The Raft.
2. To analyze how characterization contributes to the portrayal of political power and corruption.
3. To assess the effectiveness of characterization as a stylistic/thematic tool in the text.
4. To situate the findings within the broader context of Nigerian literary/linguistic scholarship.

1.4 Research Questions

1. How is characterization used in Wole Soyinka's The Raft?
2. In what ways does characterization contribute to the portrayal of political power and corruption?
3. How effective is characterization as a stylistic/thematic tool in the text?
4. How does this reading relate to the broader body of Nigerian literary/linguistic scholarship?

1.5 Significance of the Study

This study is significant to students and teachers of theatre arts, offering a close reading of Wole Soyinka's The Raft that can support classroom discussion and further critical work. It also contributes to the broader body of scholarship on Nigerian literary and linguistic studies.

1.6 Scope of the Study

The study is limited to a close textual analysis of characterization within The Raft, reflecting a BSc-level scope; it does not extend to a full survey of the author's other works.