Fine and Applied Arts · REF. TA-13982

Spirituality and Ritual in Contemporary Nigerian Textile Art

Abstract

This study investigates the subject matter outlined in the title above through a structured research design appropriate to its academic level. Using primary and/or secondary data collection methods, the research examines the underlying variables, tests relevant hypotheses, and presents findings with implications for practice and policy. This is placeholder abstract text generated for catalogue preview purposes; the full document contains a complete, topic-specific abstract, literature review, methodology, data analysis, and conclusion.

Chapter One — 1.1 Background to the Study

Scholarly interest in Bruce Onobrakpeya's Sango has remained strong, reflecting its continued relevance to discussions of Nigerian and African literary identity.

Existing criticism of Sango tends to focus on its broader thematic concerns, with composition and perspective as a stylistic device in service of spirituality and ritual receiving comparatively less sustained attention.

1.2 Statement of the Problem

While Bruce Onobrakpeya's Sango is widely studied, there is no settled critical consensus on how its composition and perspective functions specifically in relation to spirituality and ritual. This study undertakes a close textual analysis to address that gap.

1.3 Objectives of the Study

To examine the use of composition and perspective in Bruce Onobrakpeya's Sango.
To analyze how composition and perspective contributes to the portrayal of spirituality and ritual.
To assess the effectiveness of composition and perspective as a stylistic/thematic tool in the text.
To situate the findings within the broader context of Nigerian literary/linguistic scholarship.

1.4 Research Questions

How is composition and perspective used in Bruce Onobrakpeya's Sango?
In what ways does composition and perspective contribute to the portrayal of spirituality and ritual?
How effective is composition and perspective as a stylistic/thematic tool in the text?
How does this reading relate to the broader body of Nigerian literary/linguistic scholarship?

1.5 Significance of the Study

This study is significant to students and teachers of fine and applied arts, offering a close reading of Bruce Onobrakpeya's Sango that can support classroom discussion and further critical work. It also contributes to the broader body of scholarship on Nigerian literary and linguistic studies.

1.6 Scope of the Study

The study is limited to a close textual analysis of composition and perspective within Sango, reflecting a clearly defined scope; it does not extend to a full survey of the author's other works.

Chapters Two through Five, references and appendices are available for a one-time fee of ₦75,000.

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